We’re now onto day three of Menswear Milan Fashion Week and the Spring 2025 season is proving to be the gift that keeps on giving. Today, at 02:00pm CEST, the fashion pack descended upon the Fondazione Prada to bare witness to Miuccia Prada and Raf Simons’ latest, who served up “a discourse around contemporary notions of truth and pretense, the real and unreal”. Inside the vast show space, guests were greeted with a minimalist set of grey concrete, a little white house and winding runway. Models soon emerged from the house and hit the sloping runway dressed in a lineup boasting shrunken silhouettes, vivid colors and trompe-l’œil motifs (herringbone wool disguised as light cotton and brogues and tasseled loafers interpreted as slides).
Read below the reactions of theFashionSpot’s forum members:
“This collection has strong Miu Miu undertones…” [LadyJunon]
“Miuccia looked great, that’s all I have to say.” [avonlea002]
“WOW, this is a terribly weak collection. Genuine question: when will they get over the whole futurism vibe? It’s getting a little tired now, no?” [Frederic01]
“I wonder – does Miuccia really think this is good? I always thought she had high standards and to see her co-sign this trash is just disheartening.” [RaisinBoy]
“The trompe loeil belts are a big no for me.” [ecenerretneerg]
“I hate what became of Prada.” [FiLReD]
“Miuccia looks good! I don’t know if men still look up to Prada for fashion. I know it’s not a brand I see often and even the most fashionable of my friends aren’t buying her menswear. She really needs to restart Miu Miu menswear.” [Lola701]
“This collection lost me, first look was super Prada 1990/2000 and some of the silhouettes/pieces were desirable and stylish (crumpled suits, some knitwear etc.) but then you got this parade of Raf’s go-to nonsense: leather hoodies, plastic jumpsuits, this ridiculous trompe loeil belts etc. Shame, another chance for a decent collection wasted.” [Olaffo]
See all the looks from the Prada Menswear Spring 2025 collection and join the conversation, here.
